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August 2006

The Re-Evolution of a Classic Dish: Ratatouille

My dear friend and culinary colleague Marguerite Thomas and I have been exchanging recipes since the outset of our friendship nearly a decade ago. She came up with a really cute idea for a joint cookbook entitled "e-mail eats"! but she's very busy with projects including travels for her column in "wine news" and www.winereviewonline.com where she and her husband Paul Lukas offer up inspired food and wine pairings. and I'm busy with my upcoming cake book. so I'm going to share one of the best of our "e-mail eats" collection right now while all the summer vegetables necessary for this timeless recipe are at their peak. and I'm going to include the original e-mail because the uniquely casual and friendly charm of Marguerite's writing is not something one finds very often if at all in recipe books!

Marguerite's ratatouille has become a summer tradition. it is superb with grilled leg of lamb or lamb chops and I always freeze little packages to enjoy with pasta during the winter. This is an idea borrowed from my beloved Sicilian friend and colleague Angelica Pulvirenti. She makes this dish for me every summer by sautéeing the vegetables in an ample amount of olive oil and then tossing it with pasta.

This summer, I tried something a little different for the ratatouille. i grilled the egg plant (cut in rounds), zuchinni (cut in half the long way), and peppers—uncut, all brushed well with olive oil. I used high heat, making sure to turn the vegetables and check for doneness to prevent blackening. The slight touch of smoky char was a fantastic addition.

Marguerite's original e-mailed recipe:

Here's how I do the ratatat, hmmm, I like that drum roll--tooooooeeeeeeeee:
I cut eggplant, zuch, bell peps into chunks, more or less bite size, spread on a--is it a jelly roll pan, the kind with low sides? Or even a roasting pan, the main thing is to have a single layer. Toss with o oil, maybe salt, put in oven. Usually I crank it up to 425 or so, yesterday lowered it to 250 because went to health club--either way seems to work fine. On another baking. pan I put a layer of chunked onion, whole peeled garlic cloves (lots) tomatoes, and I threw in some wilted cherry tomatoes which added a wonderful jammy flavor because they sort of caramelized. toss with oil, add lots of thyme, basil, sage, rosemary, whatever. Bake until everything is very very tender. Combine it all, smoosh up a little to make it less chunky (vegs should be falling apart tender, at least to my taste--this isn't the moment for anything al dente). I learned this basic technique from a deli where Adam (her son) used to work (now closed, was on Madison and 92nd, and it's never failed. Obviously there's lots of leeway as to ingredients, timing, seasoning etc. Sometimes I stir in capers after it's cooked. Squeeze of lemon of course.

Rose Notes:
Sheet pan #1
1 medium eggplant
2 med/small zucchini
1 bell pepper
1 big hot pepper

Sheet pan #2
1 large onion
5 plum tomatoes
about 9 grape tomatoes

On both pans, salt, thyme, basil, etc. and about 1/2 cup of oil (1/4 cup on each)

(put garlic, drizzled with o. oil in foil and roast along with the veggies—app 60 min.)
Squeeze of lemon at end

Convection 375°F (without convection 400°F ) 50 to 60 min. Rotate pans every 20 minutes and stir.

For the pasta version:
Heat some olive oil in a large skillet and sauté a clove of garlic just until golden. Add the ratatouille, about 1 cup per serving and on low heat, allow it to heat while boiling the pasta. Boil about 4 ounces of pasta per serving in salted water and when almost done—barely a white line is visible when cutting a strand in two, lift the pasta dripping with pasta boiling water into the skillet with the ratatouille. Raise the heat slightly and toss with the pasta, adding more water as needed to keep it from drying. Cook for about 2 minutes or until the pasta is thoroughly coated with the juices from the vegetables. Add a splash of balsamic or red wine vinegar and toss to mix through. Serve topped with freshly grated parmesan.


The Chirls' Children's Baking Clinic in Hope

This is a photo I will always cherish of my new editor Pam Chirls's family's first visit to my house in Hope. They asked for a cake baking lesson and here are the proud results of their just having unmolded a chocolate cake baked in Lékué silicone molds designed with children in mind (though I adore the cute shapes as well).

Since cakes baked in silicone need to cool completely before unmolding, it makes it ideal for kids as it eliminates the danger of burns from hot pans!

Allix and twin Julia are in the back and Isabelle is the one holding the little loaf cake. We also had a cake tasting of Gateau Breton and they were all amazingly helpful comparing the salt version with the no salt.

The best part is that after taking the cakes home, they cherished every crumb making the little cakes last several days and now want to bake their own. This is what every lesson hopes to inspire!

But I suspect that what they'll remember best of all is the big black bear we encountered on a drive through the back roads. Happily we were all in the car at the time. We wanted to take a photo but he moved far too quickly and all we saw was as Allix remarked "his butt," to which I added: "yes—his bear butt."


"Rose's Vanilla Bible" for Food Arts Magazine

To my view, the pastry world is divided between two different personality types: chocolate and vanilla, chocolate reflecting the heavy hitters and vanilla the more subtle and complex. I love both flavors but if I had to chose only one it would be simple: vanilla wins hands down, not only because I love its flavor but because it is one of those rare synergistic ingredients that enhances others. If chocolate is king, then vanilla is queen. And it is indeed the power behind the throne. Where, after all, would chocolate be without vanilla to round out its harsher, coarser characteristics. And in the domain of ice cream, vanilla reigns supreme as our number one flavor.

The term plain vanilla is an absurdity. There is nothing plain about magic. Perhaps the concept came about because vanilla sauces and creams are often used as a base for other more intense flavors; but there is nothing plain about it at all. In fact, when it stands on its own as vanilla ice cream or vanilla pound cake, it is the very essence of purity and haunting floral flavor notes that make one yearn for the impossible while feeling utterly fulfilled in the moment.

History: Vanilla possesses an intriguing and powerful past going back to the Totonac Indians of the East Central Coastal area of Mexico. Taken as a conquering tribute by the Aztecs, where it was used in a drink called “Chocolatl” in the court of Montezuma, it was next acquired by the explorer Cortez (also written as Cortes) who introduced it to the royal court of Spain in around 1528. In the late 1500s they renamed it “Vainilla” meaning “Little Scabbard,” which the pods resemble. Vanilla was used uniquely for the chocolate drink in Spain for 80 years until 1602 when Hugh Morgan, apothecary to Queen Elizabeth I, suggested using it as a flavoring for other things such as sweet meats and candied fruits. In 1793 the vanilla vine was smuggled from Mexico to the Island of Reunion, then a French protectorate called Ile de Bourbon, hence the term Bourbon vanilla, referring to vanilla grown in this area.

Processing: There are some who categorize vanilla as a spice, and as such, it comes second only to saffron as the most expensive one in the world. But to my mind, vanilla is in a category of it own—perhaps more a perfume or an essence than a spice.

Vanilla is the fruit of the planifolia (fragrans) orchid or the tahitensis orchid, the only two of 35,000 species of orchid that bears edible fruit (the pompon orchid is used primarily for perfumes and pharmaceuticals). The flower itself is totally devoid of scent, requiring lengthy processing and fermentation to achieve the exquisite aroma of the vanilla bean.

The vanilla orchid’s flowers open briefly only part of one day during a month-long flowering and require hand pollinating to produce fruit. (The only natural pollinator is the Melipona bee, unique to Mexico.)

Six to nine months after fruiting, the green pods are hand harvested and cured. The curing process begins either by brief soaking in hot water and then rolling in blankets to “sweat,” or, as is done in Mexico, by wrapping in blankets and then straw mats and heating the beans in an oven for 24 to 48 hours. In either case, the curing continues over a period of 5 to 6 months, during which the pods are sun dried each day and then returned to the sweating blankets at night. When fully cured, the pods are fermented, shrunk to one-fifth their original weight, to become characteristically dark brown and wrinkled and are referred to as vanilla beans. Incidentally, there is some confusion as to the use of the word vanilla bean because when the seeds (sometimes referred to as grains) contained in the pod are used in a product it is usually referred to as vanilla bean (ice cream or crème bruleée for ex.) even though only the seeds are used and not necessarily any of the pod. A vanilla bean is actually the entire pod containing the seeds. The average vanilla bean contains 60,000 seeds. Madagascar beans graded “Prime Triple A’s,” however are left on the vine an extra week and grow to as long as 8 3/4-inches) containing 90,000 seeds. These represent a little less than 2% of the crop.

Vanilla grows best in areas 10 to 20 degrees north or south of the equator in a hot moist tropical climate with year round temperatures of 75 to 85 degrees F. Primary produces of vanilla are Indonesia, Mexico, Tonga, Tahiti and the Bourbon Islands including Madagascar which is said to be the finest from this area which produces about 55% of the world’s annual supply of 1700 tons.

Vanilla beans vary enormously in quality. In generally, the best beans are thought to come from Tahiti, Madagascar and Mexico, though Indonesia also produces some beans of very high quality with slightly smoky notes. Gahara, which means “of royal descent,” is the most highly regarded Indonesian vanilla, coming from Bali in the Batubulan province, imported by Paris Gourmet.

According to the late Chat Nielsen Jr. of Nielsen Massey, the Madagascar “Bourbon” has a full rich creamy flavor, Mexican vanilla slightly spice like clove or nutmeg, Reunion vanilla also possesses a slightly sweet spicy note, and Comores vanilla has a balsamic quality. His son, Craig Nielsen says his personal favorite is Madagascar for its “deep rich complex, classic vanilla taste. Tahitian is floral and fragrant but the flavor profile is one dimensional.” His take on Mexican vanilla is that it is virtually indistinguishable from Bourbon when added to other ingredients.

Chef Aaron Isaacson, of Mr. Recipe Premium Pure Vanilla Products, a graduate of the CIA whose interest and passion for vanilla led him to become a manufacturer, refers to the Madagascar beans as the refined royalty and the Indonesians as the indispensable truck drivers. He uses a blend of Indonesian and Madagascar from 5 different islands (Sulawesi, Java, Bali, Flores, and Madagascar) for his Vanilla Essence, a term which he has trademarked for his extract which cannot be called “pure vanilla extract” as it contains half the alcohol (18%) of what is categorized by the FDA as “pure vanilla extract.”

The second great divide in the pastry world, after that of chocolate versus vanilla, seems to be variety of vanilla: Tahitian versus Madagascar, with passionate devotees on either side. Oddly, some feel that Tahitian is stronger and others feel it is more aromatic but less strong in flavor in the finished product. All agree, however, that it is more floral in aroma. This is believed to be because it is high in the heliotropin component (piperonne). I find that it most successfully tempers and rounds the metallic quality of tropical fruit, particularly passion fruit. But each vanilla has its champions and now Mexican vanilla is also re-entering the arena. Lydia Jording, importer of Mexican vanilla, says “the reason it’s the best in the world is the way they cure the beans: they are oven dried and sun dried as opposed to the hot water method generally used elsewhere.”

Mexican vanilla fell into disfavor for a while because some unscrupulous producers were adding coumarin (an irreversible blood thinner) as a flavor enhancer. According to Zarella Martinez, successful efforts are now being made to produce organic first class vanilla in Papantla, the vanilla native region, by growers like Victor Vallejo and processors such as Heriberto Larios and Cesar Arellano. An organization has been formed (La Asociacion de Vainilleros de Papantla) and they have instituted rigid controls as to when the vanilla can be harvested. In addition only a few orchids are pollinated on each plant so that the beans that do grow are first rate.

Vanilla Extract Production: Vanilla has been available as an extract only in the last 100 years. To produce an extract, the chopped and shredded beans are soaked in a recirculating alcohol and water solution to extract their flavor. Temperatures vary from 60-130°F. but better manufacturers use cool distillation as it results in the best flavor and also a longer time period of up to 5 weeks as opposed to warm temperature and an extraction of only 48 hours. After extraction, some of the alcohol and water solvent is removed if it is being concentrated and the remaining extract is adjusted for flavor strength. (Vanilla can also be extracted using other solvents such as carbon dioxide, commonly used in Europe but not accepted here by the FDA.)

Vanilla extract is available in different concentrations referred to as “folds.”
The term “fold” refers to the strength of the vanilla extract, not the flavor. The FDA defines single strength (one-fold) as being made from 13.35 ounces of vanilla beans (about 100 beans) which contain less than 25% moisture, per gallon of liquid solvent. Specialty producers claim that their single strength is 10% stronger than most supermarket brands. Double strength (2 fold) uses two times the amount of vanilla bean per gallon of liquid solvent, triple strength 3 times, quadruple strength is 4 times after which it becomes supersaturated. Thirty folds is the highest concentration produced. In order to get to 10 fold concentration, 10 gallons of a 1 fold vanilla are put into a still and under pressure and vacuum the water and alcohol is drawn off, and it is reduced to 1 gallon of 10 fold. This concentration process also drives off flavor components so if reconstituted to 10 gallons it would not be the same. It is used in industry for convenience when working with large quantities of product.
La Cuisine, in Alexandria Virginia, offers a highly aromatic 8 fold Madagascar extract for which the beans have been flash frozen before extraction presumably to maintain freshness and quality.

According to the FDA, vanilla labeled “pure vanilla extract” must contain at least 35% alcohol. (This is not to say that vanilla extracted in mediums other than alcohol is less “pure,” and may in fact be superior!) It may also contain vanilla seeds and ground pods. Sugar, dextrose and cornsyrup, coloring and preservatives are permissible but must be listed. According to Patricia Rain, in her “Vanilla Cookbook”, Celestial Arts Berkeley, Ca. 1986, manufacturers may use 5% to as much as 40% sugar to speed up the aging or mellowing process. Sugar is also used to prevent a muddy color but if caramelized sugar is used it will produce a dark, often muddy color.

Pure Vanilla Flavoring and Other Varieties
Liquid vanilla extract is designated as a flavoring by the FDA when it contains less than 35% alcohol. You can have a pure vanilla flavoring that is less but it is not designated as an extract.
Some manufacturers such as Euro Vanille refer to their product as “Pure Vanilla Extract” though they cannot technically have the FDA designation since it contains no alcohol. In this case, the vanilla is extracted either in alcohol or in carbon dioxide and this medium is then replaced by a glycerin medium, a more neutral propylene glycol medium, or an invert sugar. These varieties of vanilla are used in industry or by individuals who desire the flavor of natural vanilla without using the whole bean or an alcohol solvent. Because glycerin is a vegetable oil derivative, with a higher evaporation point, it dissipates less during baking than a vanilla in an alcohol base. I find that glycerin, when tasted alone has a distinctly bitter taste though in minute quantities and added to other ingredients this may not be perceptible. Euro Vanille and Searome both use the inverted sugar to eliminate any bitter aftertaste.

The now ubiquitous vanilla paste usually contains natural vegetable gum such as carogene for viscosity so it is thickened but still fluid enough to pour. The paste also may contain either the seeds and/or the pod, and sometimes a small amount of vanilla extract in alcohol or sugar syrup.
Paris Gourmet imports a Gahara (Indonesian) vanilla paste made from the entire bean in an alcohol, water and emulsifier medium. This is offered as a more economical approach as the beans used are not of the same quality, resulting in less purity and flavor depth. Nielsen Massey and Mr. Recipe, however, use the same quality beans in his paste but not the pod because it sometimes will add bitterness. Isaacson claims that chefs prefer the paste or the essence to extract and produces extract for the consumer only because recipes call for that product.

The vanilla bean seeds add a subtle earthy depth of flavor and unique sweet quality, but the bean alone cannot offer the full depth of flavor. The extract, though easier to use, lacks the sweet roundness and in excess may even impart a bitter edge, hence the popularity of the vanilla pastes which offer a balance of complexity, richness and fullness of flavor. Vanilla paste, however, is not as strong as extract because it is not full strength or full extraction. It is, therefore, somewhat of a compromise. The ideal flavor profile would be a combination of extract and seeds, and second to that paste, and seeds.

Pure vanilla is also marketed in the form of a powdered bean, and also powdered with sugar. Though most of the flavor resides in the seeds, when the entire pod is used the resulting powder is coarser than the seeds alone and the flavor less subtle and delicate, delivering far more flavor impact but less depth of flavor than extract. Euro Vanille markets a powder that is 100% vanilla, using the bean and the seeds. Nielsen Massey’s vanilla powder has been encapsulated onto a maltodextrin (modified cornstarch) as opposed to the more usual dextrose base which is much sweeter. The FDA allows allows pure vanilla powder to contain lactose, food starch, dried corn syrup, acacia, and an anticaking ingredients.

To sum it up: The major advantages of vanilla paste, vanilla bean seeds and vanilla powder over extract is that more can be used without resulting in bitterness, and that the flavor does not dissipate during cooking or baking. The major advantage of extract is richness and intensity of flavor and ease of disbursement in a liquid medium. Aaron Isaacson advises using paste in recipes that are not subjected to high heat, in conjunction with extra seeds to give the extra flavor boost that you would not have with just the bean alone. He says that the extra sugar in the paste also brings out more vanilla flavor, making it more complex, richer, more mellow and rounded. He advises using the essence or extract in combination with the bean for long baking such as cakes and crème brulée, because it is richer and more full bodied. Though some of it dissipates, there is still an uderlying flavor carried by the alcohol.

Keeping in mind that taste here is highly subjective and particularly dependent on freshness and quality of the product, the suggested exchanges are:

1 teaspoon of vanilla powder = 1 teaspoon of extract = 1 teaspoon paste
(When using Tahitian, I use a 1-inch piece of bean to = 1 teaspoon extract.)
2-inches of bean=1 teaspoon of extract; 1 whole bean = 1 tablespoon extract or paste

Incidentally, most vanilla products are designated as kosher (the designation appearing on the packaging).

Artificial Vanilla
There are thought to be over 250 organic flavor components in every high-quality vanilla bean and only one in artificial vanilla: vanillin. This is commonly produced using wood pulp ( which is why wines aged in oak barrels often have a noticeable vanillin flavor component)

How to Evaluate Vanilla

Appearance: A vanilla bean should be dark brown, plump, glossy or oily, and flexible. It’s surface can display white vanillin crystals. If you look very carefully, you may even find a distinctive mark on a vanilla bean. Some growers actually brand each bean to prevent theft during processing! The average bean measures 5 to 6-inches in length but some measure almost 8 ¾” in length, depending on variety. Those that are the ripest will tend to split sharply along their length.
Sometimes you will notice a white substance coating the vanilla beans. This is usually not mold, it is most probably flavorful natural vanillin crystals which migrate to the surface. (Some disreputable producers harvest this vanillin for other purposes, lowering the quality of the bean. According to Chris Broberg, beans still containing all their vanillin smell sweeter. He recommends always getting an analysis. To determine whether the white substance is mold or vanillin, simply touch your finger to the bean. If it is mold it will not disappear but if it is vanillin crystals, after a few seconds they will vanish.

Taste: The best way to taste and compare vanilla is in bottled water or club soda sweetened with a simple syrup made by bringing 3/4 cup water and 1 1/2 cups sugar almost to a boil, stirring constantly until dissolved, held at that temperature for a few minutes stirring, then cooled to room temperature. Use about 1 quart of club soda to 6 1/2 tablespooons simple syrup to 1 tablespoon of vanilla. If the vanilla is of a higher concentration or fold, use proportionately less .
For the vanilla bean, use 1 bean per cup of water/syrup mixture. Split the bean down the center and cut it into 1/8 to 1/4-inch pieces. Steep for about 2 hours.
A plain butter cookie is also an excellent way to assess the baking qualities of vanilla.

Storage: Vanilla extract or paste is thought to improve on age, developing nuances, for perhaps as long as 5 years and even longer if stored under ideal conditions. If stored at too cool a temperature flavoring material may precipitate out requiring shaking before use. The ideal temperature for both extract, paste, and beans is 70 to 80°F. at low humidity, and not exposed to light. A plastic bottle or for the beans, a freezer weight airtight bag is preferable to glass which is porous. Beans stored in this manner will keep their freshness for up to 6 months. If vacuum packed they will stay fresh even longer. According to manufacturers, chilling or freezing destroys some of the esthers and flavor components.
Cooking with Vanilla Bean
When using any variety of vanilla bean in a sweet recipe I prefer to scrape the seeds into the sugar and process the two together to distribute them evenly. This is particularly important with Tahitian beans which are plumper than the others and the seeds far more pulpy.

It is recommended, whenever possible, to add the vanilla at the end of the recipe because heating changes the entire chemical nature of vanilla.

Uses for Vanilla
Shirley Corriher, author of “CookWise,” when asked if there is a southern traditional use for vanilla replied unhesitatingly: Yes; we put vanilla in everything sweet.

There is a long standing tradition of vanilla used in sweet desserts however there is also a trend thought to have been started during the Nouvelle Cuisine era by Alain Senderens, in his famous lobster with vanilla nage, of using vanilla in savory food as it was originally employed centuries ago in Mexico. Jean Georges Vongerichten, of Jean George, uses vanilla in his savory cooking and refers to it as a spice. He finds that it “softens the dish and goes well with everything”

Zarella Martinez, of Zarella’s, has perfected a Veracruzian chicken dish called “Pollo en Chile Seco, Vanilla and Orange,” and says “the vanilla bean rounds out the flavor and gives it dimension.” Christian Delouvrier, of Lespinasse, finds that vanilla makes the meat or fish sweeter. One of his favorite uses is with lemon cured in salt in a sauce for foie gras.

In industry, vanilla is used in soft drinks, Coca Cola being one of the major importers of Mexican vanilla. It is also used in perfumes, pharmaceuticals, cosmetics and tobacco. Chris Broberg, of Petrossian, reports having enjoyed an inexpensive cigar that had been stored with vanilla beans which imparted a sweet quality, particularly in the aroma.

Jonathan Zearfoss, culinary professor at the FCI, in a class on aphrodisiacs offers a recipe for vanilla bean infused mineral oil to be used as a perfume.

In Mexico, whimsical vanilla bean sculptures in the shape of roses, frogs, etc. are used as room deodorizers and a vanilla bean can even be found underneath the seat of taxi cabs. Note, a drop of vanilla applied to a light bulb before turning on the light also works well as a room deodorizer.

How to Use Left Over Pods: Vanilla beans still have lots of flavor even after the seeds have been removed. Be sure to rinse the bean if it has been used to flavor another liquid and dry it in a low oven or with the heat of the oven's pilot light.
The most time-honored use for left over vanilla pods is to make vanilla sugar by burying the dried pods in the sugar. Pastry Chef Jean Philippe Maury of the Bellagio in Las Vegas, recommends substituting this sugar for 8 percent of the weight of the sugar used in a recipe. Jacque Pfeiffer uses equal parts vanilla bean and powdered sugar to pulverize into a powder. Aaron Isaacson pulverizes the pod with sugar and triple sifts it to get rid of any extraneous matter that would cause bitterness. He uses this to replace as much as 30 percent of the sugar in cakes. He feels it is imperative to use vanilla sugar in cookies as with other forms of vanilla the flavor will to some to some degree bake out, however also adds some extract or essence for the additional flavor profile.
For years I have added some of my spent vanilla beans to vanilla extract, a precursor to the now ubiquitous vanilla pastes.

Personal Preferences and Passions of the Chefs
Chocolate has had its day in the sun and is clearly here to stay, but now there seems to be a gradually swelling trend toward vanilla awareness, exemplified by the variety of the bean used often appearing on dessert menus. Vanilla, traditionally a supporting player, is well on its way to stealing the show, possibly leaving chocolate in the cocoa dust.

Jean Francois Bonnet, of Cello, prefers Madagascar, in particular the Euro Vanille, because he finds Tahitian too strong but agrees that it works well with assertive tropical flavors such as passion.

Chris Broberg, of Petrossian, prefers Mexican, saying it is not as cloying as Tahitian, nor slightly fermented like Madagascar, nor smoky like Indonesian. He infuses it in syrups to flavor fruit and jams.

Phillips Conticini, of Petrossian, likes the texture of Madagascar grains though he appreciates the flavor of Tahitian as well.

Francois Payard, of Payard, prefers the Madagascar.

Claudia Fleming, of Grammercy Tavern, says we overlook this most precious of essences. She feels that vanilla has been neglected and pushed aside because of the trendy things being done and would like to resurrect it. She is serving a baked warm chocolate chiboust, with vanilla ice cream, using the bean and extract which boosts the flavor, with a vanilla bourbon sauce.

Johnnie Iuzzini, of Daniel, finds Madagascar richer and sweeter than Tahitian which he feels is more aromatic but less flavorful. He says that vanilla can stand on its own but complements and rounds out a lot of desserts—things you want to keep simple yet add a little flavor. He uses vanilla with fresh fruits such as a fruit soup with melon and a little elderflower water, or in a fresh cream to give it a ripe non-processed flavor. He likes vanilla in invert sugar from Sevarome as it incorporates easily into other things but employs vanilla bean ground with sugar in tarts, sifted to take out any chunks.

Emily Lucetti, of Farralon, uses Tahitian in ice cream and panaccota where it is the main flavor and Madagascar (due to the greater expense of the Tahitian) in applications where it is more masks by other flavors She says it used to be an accent flavor and now is a primary flavor and has emerged in its own right.

Nancy Oakes, of Boulevard, adds vanilla to her brining liquid for meat.

Francois Payard, of Payard, says that vanilla is a very interesting product that can be adapted to a lot of different desserts and the flavor changes depending on what you put it with.

Andrew Schotts, of Ghiradelli Chocolate, has a favorite recipe for sea bass with veal stock and vanilla.

Jean George Vongerichten, of Jean George, prefers Mexican partially because he feels it is fresher and therefore more flavorful. He uses it in many of his savory recipes.

Bill Yosses, of Citarella, prefers Madagascar because it has more seeds, and the flavor is more concentrated and pungent, compared to the Tahitian which is more rounded, mellow and floral. He says he has always been attracted to vanilla as a central element of a dessert and that it is so often used as an “accent,” it must be tired of singing in the chorus. He is doing an all vanilla plate called “vanilla decadence” to include a warm vanilla cake with 12 bean vanilla sorbet (12 beans per quart!) He also uses it in fruit marinades with tropical fruits such as mango and pineapple, and tropical fruit skewers with vanilla and réglisse marinade and kalamansi dipping sauce.

Sources: (Some of these are food service only)

The Vanilla.Company: 800-757-7511, www.vanilla.com: Bourbon, Tahitian, Mexican

Crossings “Euro Vanille” 978/456-8116 : Madagascar & Tahitian

Dairyland: 718/842-8700 Madagascar, Tahitian

Honey Locust Valley Farm 845/561-7309, Mexican

La Cuisine: 800/521-1176: Madagascar

Lydia Jording: 800/650-4622, Mexican

Mr. Recipe Premium Pure Vanilla Products: 845/368-1999, Madagascar and blended Vanilla Essence

Paris Gourmet: 800/727-8791 x202: Indonesian

Nielsen Massey: Mexican, Tahitian, Madagascar, Indonesian

Tripper: 805/988-8851 Indonesian

Vintage Chocolate, 908/354-9304 Sevarome brand Madagascar bourbon

Zingerman’s: 888-636-8162 Mexican


A Recipe for Peace

When I listen to the news these days and hear reports of rockets from Lebanon bombarding Israel, I worry for my Israeli cousins and friends but my heart also aches for the Lebanese people. My first association with Lebanon was Kahlil Gibran and his treasured book of wisdom “the Prophet.”(“Your children are not your children, they are life’s longing for itself…”) My best friend from India named her first daughter Kahlila after him. Her second daughter was named Yael. She confided in me that she didn’t dare tell her parents that it was an Israeli name so she told them it was an Arabic name. When my liberal-minded Indian friend had her hair done in an Afro and discovered that New York taxi cabs wouldn’t stop for her, horrified, she lost no time in retreating to hair straightened back to its original Caucasian texture. Ironically, I am also reminded of an old Russian friend of my mother’s who told her father when introducing him to an East Indian man with dark skin she was dating that he didn’t speak English because he was an orthodox Israeli Jew.

So sad and so scary are the prejudices that infect our beautiful world. But getting back to Lebanon and my second association is the love affair I had when I was a young woman with a man I called “The Fifth Cellist.” It was love at first sight when I saw him in the “orchestra pit” in the fifth chair of the cello section. I had a vision of him playing the cello in Boston, in a wood-paneled library, with a ray of a late afternoon winter sun illuminating his dark golden curls. Not being able to stop myself, but heart pounding with daring, with great assumed authority I asked the chorus master to put a note on the fifth cello stand during intermission. He obliged without questioning.

On the fifth cellist’s return from intermission, I watched as he saw the note, as his surprised and intrigued eyes searched the audience like beacons, and in sheer terror I instantly dropped mine. All I had dared put into the note was my phone number. (He later told me that had it been a business card of any sort he would not have responded.) That night, studying the huge Janssen book of art history, I fell asleep until midnight when the phone rang and I heard the amazing words “This is the Fifth Cellist.”

We met the following week and it was magic for both of us. I learned that he was in the middle of a relationship with another woman but couldn’t resist satisfying his curiosity as to who would write such a note. I also learned that he was indeed from Boston. That he was half Lebanese and that his father and Kahlil Gibran were best friends. And eventually, months down the road, when we talked about the possibilities of a permanent relationship, and I speculated about how my Jewish relatives would react to my marrying an Arab, Richard told me how gentle and peace-loving the Lebanese were. The image he painted was of his uncles preferring to lie under an olive tree to any other activity—so different from what I as an American was led to imagine.

I’m sure I would have married my fifth cellist but he could not/would not leave the relationship to which he felt committed. Until some years later when I discovered from a baking student of mine who coincidentally turned out to be the best friend of “the other woman” that she was the one to run off with the husband of their best friend!

Here’s the story I finally wrote 16 years ago for my column in the Los Angeles Times Syndicate, in which I nestled in the romance and the recipe that, along with my lasting love of Lebanon, was my souvenir of those magical moments in time.

Romantic Dinners Cooked by Men
Colleagues concur: one of the few problems with being a food professional is people’s reluctance to cook for us. As my food career progressed, even my mother, at first, seemed suddenly to become intimidated. This is a great pity because I enjoy the uncontrived, full flavor, comfort and intimacy of a home-cooked meal more than eating at even the best of restaurants. Perhaps it is the rarity of such events these days that makes it so appreciated. I am so thrilled when invited for dinner, before I can rethink it I offer to bring dessert. Nowadays it may not seem so unusual, but when I was in the dating mode, it was a truly uncommon treat to have a man invite me for dinner. Whenever I was in love, I always wanted to cook for the object of my affections, but in my 9 years of single life, only 6 men have ever cooked for me.
First there was Rick who prepared a South American beef stew with cinnamon that I went on to make for years, calling it Rickstew. It was unusual and good but what impressed me most was that he announced he had fired the cleaning lady that day because she washed the cast iron pan in which he had prepared the stew, thus ruining the seasoning. I was sympathetic but suspected this was a result of fanaticism more than of passion. There went Rick.
Hugh prepared and served an impeccable salmon dinner as a thank you for having bailed him out during a major snow storm returning from a ski trip to Aspen. He had a steady girl friend and he was quite the gentleman, performing his obligation and then returning me to my apartment in a round-trip taxi.
Then there was dark and handsome Bennett, with a voice of honey, who was put out that I expected him to pick me up even though he was cooking dinner. It was an oriental stir-fry and delicious. Maybe he had a point.
Michel was a trained chef from France. Since he cooked all day, he did not consider cooking recreation. He did, however, once make me a pot au feu which the next day he turned into a beef stew, so glorious with a mirepoix of vegetables as the sauce that the word stew seemed utterly inappropriate.
Jean Pierre, who grew up in a hotel/restaurant family near Orleans, made me his signature dish of carré d’agneau, entreating me never to tell anyone how, due to his exceptionally cavaliere attitude, it had slipped to the floor at one point during the preparation.
The most romantic dinner, however, was with Richard, the cellist. At the time we met, he was living with another musician, but we were mad for each other and when she went on tour, he invited me for dinner up in his log cabin. I remember the blaze of the wood fire, the spell-binding white expanse of snow and the breath-taking yearning. I wouldn’t have cared if we hadn’t eaten at all but I’m glad I had the foresight to have asked how he prepared the delicious Lebanese spinach.
The relationship ended when finally I became fed up playing second fiddle to a violist. (Yes, I did play the violin.) But I have this recipe to remember him by.
Lebanese Spinach
Serves: 2
1 pound of fresh spinach
1 tablespoon virgin olive oil
1 medium clove garlic, smashed
salt
pepper

Wash the spinach well to remove any grit.
In a large pot with tight fitting cover, place the olive oil and smashed clove of garlic. Turn the heat to medium and cook for about 3 minutes or until the garlic starts to sizzle. Place the spinach leaves on top, without shaking off any water that clings to the leaves. Sprinkle with the salt and pepper. Cover tightly, reduce heat to medium low and cook 15-20 minutes, or until the spinach is wilted and tender. Stir lightly and discard the garlic clove. Drain and serve.

Addendum: my husband of 16 years Elliott, does not cook and I wouldn’t want it any other way.


Now Why Didn't I Think of That???!!!

i really don’t care—i’m just grateful someone, namely my wonderful colleague of “cooking one two three” fame: rosanne gold did. but doesn’t it seem that the most brilliant ideas elicit the above response?

in roseanne’s one two three concept, salt, pepper, and water don’t count (this is reasonable as they are basic staples/necessities). so here are the three star ingredients:

salmon fillets, wasabi powder (japanese horseradish) and mayonnaise.

i spread most of the lovely sea-foam green creamy wasabi mayo over the salmon before cooking but the recipe makes enough to serve some alongside as well. actually, i make sure to make enough salmon to have left-over to enjoy the next day cold with some of the wasabi mayo (elliott and i prefer the flavor of all fish cold).

this recipe is miraculously quick and phenomenally pleasing. the recipe was forwarded to me by my beloved protégé david shammah—after close to 30 years he knows what i love and is an absolute genius at unearthing wonderful things. this recipe will be part of my permanent repertoire and it could also change forever the way i enjoy egg salad sandwiches!

the original recipe was for 4 but of course it can be scaled up and down with ease. here’s my adaptation for two:

2 thick salmon fillets, skin on--8 ounces each
1 1/2 tablespoons wasabi powder
1 to 1 1/2 tablespoons water
1/4 cup + 2 tablespoons mayo (full fat for best flavor)

season the fish with salt and pepper.
mix wasabi with just enough water to form a smooth thick paste. whisk into mayo, add a small pinch of salt and pepper, and spread on top of the fillets to cover completely.

the original recipe says to bake it in a foil or parchment-lined rimmed baking sheet for about 15 minutes (i assume at 350˚F) until the top is lightly golden, but i find the great rule of 10 min. an inch usually works. in any case i cook salmon only to about 108˚F so it’s still a little moist in the thickest parts which is just how rozanne recommended.

i oiled the salmon skin side lightly, set it atop a sheet of heavy duty foil with holes all over (make your own if they are no longer marketing this—i’ve had it for a few years now) and cooked it on the grill so that the skin got crisp, but you could remove the skin after cooking and crisp it in a sautée pan. (if using the foil and grill, use high direct heat but after about 5 minutes move the fish on the foil away from the heat—turn off the burner under the fish if using a gas grill to keep the skin from burning.) my grill was over 500˚F and the fish cooked perfectly in 8 minutes—still a little moist and rosy in the thickest part but succulent even in the thinner parts thanks to the mayo. and thank YOU rozanne!!!


"Cakewalk" An Extraordinary Cake Book

Cakewalk
Adventures in Sugar with Margaret Braun
New York: Rizzoli International Publications, Inc, 2001

(Review I wrote for Gastronomica)

I’ve always thought it a pity that exquisitely crafted cakes, which are in fact works of art, should be consigned to a medium of flour, water, sugar, and butter, that self destructs like sandcastles at high tide. I’ve questioned whether they didn’t deserve to be made in a more durable medium instead that could last for years in a museum for many more to enjoy. In fact, in Canada, Japan, and no doubt elsewhere, there is a highly practical tradition of making elaborate but reusable wedding cakes with durable decorations on Styrofoam layers with just one small section removed to hold an edible piece of cake that the bride can feed the groom, while the actual cake to serve the guests is only a backstage sheet cake.
But I have to admit, that if ever there were a time and a place, or justification for the real thing, devoid of such deceit, it would have to be for a wedding celebration. Perhaps some atavistic pagan fantasy entices us to see this exquisite virginal symbol invaded and cut into to reveal it’s tender and flavorful interior. But whether real or illusionary most would agree: A dream occasion deserves a dream cake. Margaret Braun, in her book “Cakewalk,” presents a collection of breath-taking tiered celebration cakes unlike any I have ever seen. They are such exquisite works of art I’m sure people will wince in pain to see one cut. Just looking at them in print makes me want to sob with delight. Even the publisher (Rizzoli) has risen to the occasion, providing the setting this book deserves. Not only is this a gorgeous four color production with stitched plinth (binding), but the proverbial icing on the cake, and unprecedented for a cookbook, it has guilt edged pages. Even most bibles don’t get this treatment! And the photographs by Quentin Bacon do these edible dream works of art full justice.
Yes, this makes a fabulous coffee table book, but it is much more than that. Braun’s designs are uniquely original and she shares many of the detailed techniques to recreate their appearance. This book will provide inspiration to countless cake bakers and caterers ever in search of a “new look.” If you want to reproduce most of the actual cakes in this book, however, you will need a more detailed baking book that contains cake recipes both larger and smaller than the 10-inch ones offered here. Also, the actual instructions for shaping the layers are vague to non-existent. One interesting though labor intensive suggestion is to cut the layers 1/2-inch thick to increase the proportion of filling to cake. Of course this is a matter of personal preference. Cake lovers who appreciate their cake layer lofty and uninterrupted (and there are many) will not be pleased.
By the way, don’t be surprised if your caterer cringes in horror at being asked to reproduce any of these elaborate edifices. These cakes are labors of love and require the skill of a devoted and meticulous craftsperson. But even borrowing a few of the beautiful motifs or techniques such as painting a cake with food color, or finishing it with gold dust, pearl dust, or gold leaf, will do wonders to transform a more humble design. And of course for a price you can have Margaret Braun herself recreate them.
Sprinkled throughout “Cakewalk” are refreshingly unfamiliar and thought provoking quotations such as this one on symmetry: “The underlying belief was that locating the centre of symmetry meant locating the way, the truth, and the light. Aesthetic custom and theological doctrine went hand in hand. The aesthetics of proportion was the medieval aesthetic par excellence….The principle and criterion of symmetry, even in the most elementary forms, was rooted in the very instinct of the medieval soul” --Umberto Ecco Art and Beauty in the Middle Ages (1986) (p.176). There is not a lot of story telling in “Cakewalk” but what there is reveals great sensibility of style, philosophical conviction, history and poetry—a person well beyond the realm of her cakes, that one would love to know better. I suspect that she richly deserves to have been published in such a regal manner.


Bennett Chili Bread as Promised

i've been promising this recipe on the blog for a while, and here it finally is.

the photo is the dough at the point where the corn, cheese, and chilies are being mixed in, which is the point at which you can really start to smell how everything is going to turn out.

TIME REQUIRED:
Dough Starter (Biga): 6 hours to 3 days
Minimum Rising Time: About 2 1/2 hours (TIMING based on room temp 81°F.)
Total Baking Time: 30 - 35 minutes
Oven Temperature: 375°F.

Makes: Two 9 inch by 3 1/4 to 4 inch high free form loaf
1 pound 7.6 ounces / 675 grams

Bennett Chili Cheese Corn Bread

INGREDIENTS

MEASUREMENTS

WEIGHT

volume

ounces

grams

water, room temperature (70 to 90°F.)

3/4 cup, divided

6 ounces.

175 grams

bread flour or unbleached all purpose

2 1/4 cups, divided

12.25 ounces

350 grams

instant yeast

1 1/2 + 1/8 teaspoons, divided

.

5 grams

honey

1 tablespoon plus 1/2 teaspoon

1 ounce scant

25 grams

buttermilk

1/2 cup minus 1 tablespoon

3.5 ounces

100 grams

fine cornmeal

3/4 cup

3.5 ounces

100 grams

polenta

1/3 cup plus 1 tablespoon

1.75 ounces

50 grams

garlic, roasted & mashed (I roasted in foil, drizzled with about 2 teaspoons oil for app 1 hour 20 min. at 350.)

1 large head

about 1.5 ounces

40 grams

salt

2 1/2 teaspoons

0.5 ounce

14 grams

1/2 jalapeno pepper

seeded and finely diced

0.3 ounce

8 grams

dry chipotle chili -- about 3 (First test I only had pasilla so used 6 grams -- Tim says chipotle more smoky -- this was more old leather.)

seeded & finely chopped*

0.2 ounce

6 grams

corn, 1 large ear

1 gently rounded cup

5.25 ounces

150 grams

sharp cheddar, shredded

app 1 cup

2.5 ounces

70 grams

Equipment: Two 6 cup loaf pan (8 1/2 by 4 1/2 inches, lightly greased

1) Make the Biga
In a small bowl, combine 1/2 cup/118 grams/4.1 ounces of the water, 1 cup/156 grams/5.5 ounces of the flour and 1/8 teaspoon of the yeast. Stir the mixture with a wooden spoon for about 3 minutes or until the dough is very smooth and pulls away from the sides of the bowl. It should still be tacky (sticky) enough to cling slightly to your fingers. Cover the bowl tightly with oiled plastic wrap (or place it in a 1 quart food storage container with a lid) and set it aside until doubled and filled with bubbles. At room temperature it will take about 6 hours. Stir it down and use it or refrigerate it up to 3 days before baking. Remove it to room temperature 1 hour before mixing the dough.

2) Mix the dough
In a stand mixer bowl, place the remaining 1/2 cup water and honey. Tear the biga into the bowl, in a few pieces, and stir it together until it is soft.
Add the buttermilk and remaining flour and with the dough hook mix on low speed about 2 minutes, until the flour is moistened to form a rough dough. Scrape down any bits of dough. Cover the top of the bowl with plastic wrap and allow the dough to rest for 20 minutes.
Add the cornmeal, polenta, remanining instant yeast, and garlic and knead the dough on medium speed for 6 minutes, adding the salt after these ingredients are mixed in. The dough should be elastic and smooth, and sticky enough to cling slightly to your fingers. It will clean the bowl completely. Cover the bo